Archives For August Fiedler

Fisher gallery picA young architect carved the distinctive lion heads on the lacquered-cherry wood fireplace mantel and the bookcases in the gallery of the Marble Palace. He was Robert E. Seyfarth, (Born 1878, Blue Island, Illinois) and an employee of both August Fiedler and George Washington Maher.

Seyfarth studied at the Chicago Manual Training School founded under the auspices of the Commercial Club of Chicago.

It was a private secondary institution that taught drafting and shop as well as a regular high school curriculum. Located at 11th and Michigan, the campus was later moved to the University of Chicago where it was absorbed into the lab school program.

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Illustration of the Chicago Manual Training School

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The first Seyfarth house in Blue Island

Seyfarth went to work as a draughtsman for August Fiedler after graduation in 1895. At the same time he joined the Chicago Architectural Club where he most likely met influential Prairie School architect George Washington Maher. By 1900, Seyfarth was involved in the redecoration of the trophy room and gallery of the home that Lucius George Fisher Jr. had recently purchased from Samuel Mayo Nickerson. Maher designed homes in Seyfarth’s hometown of Blue Island and that possibly helped to cement their relationship.

However by 1909, Seyfarth went into business for himself. Until the Depression, he had offices downtown. But the economic downturn forced him to relocate his practice to Highland Park, Illinois. No longer identifying with Maher’s Prairie School designs, the handsome homes Seyfarth created along Chicago’s North Shore and in the city have elements associated with Tudor and Colonial styles.Lawrence_Howe_House_Winnetkaarticle on Seyfarth

 

800px-Seyfarth_House_-2_Highland_Park_1911_photoFor a gallery of Seyfarth’s homes click here.  Much of Seyfarth’s work was photographed and he was a proponent of advertising as a means of marketing his practice. He would remain a vibrant and engaged member of the Highland Park community until his death in 1950.

 

Sources: http://www.robertseyfartharchitect.com/

 

 

“We strongly advocate the use of different styles in different rooms, to avoid the monotonous effect invariably produced by the fanatic apostles of the so-called Eastlake or Modern Gothic. For the same reasons it will be necessary for articles of luxury, as Easels. Hanging Shelves, Cabinets, etc., to use motifs from the Mooresque, Byzantine, Japanese, etc., though diametrically opposed to the prevailing style of the room.” – August Fiedler

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William August Fielder

The principal interior designer of the Nickerson Mansion was William August Fiedler. He was German, born at Elbing in 1842. August Fiedler as he would later come to be known studied architecture in his native country but immigrated to the United States in 1871. Like many of his fellow countrymen, he found his way to Chicago, taking advantage of the post Chicago Fire building boom. A perfectionist in his pursuit of quality, Fiedler began his career the way many architects of the period did–as an interior designer.

 

 

fieldler advertBy 1877, he had his own furniture business, A. Fiedler and Company at 24 - 26 Van Buren Street. As a decorator, Fieldler would leave behind a lasting legacy in the richly carved details of the Hegeler Carus Mansion in downstate LaSalle, Illinois, built between 1874-1876. The high finishes of his custom woodwork and furniture attracted the attention of Samuel Mayo Nickerson who hired him to design some of the rooms for his new home at 317 Erie Street in Chicago (now the Richard H. Driehaus Museum at 40 East Erie). fiedler dining room

Fiedler’s impeccable attention to the smallest elements of style shine. He created unique parquet flooring and architectural flourishes with such precision and beauty that he went bankrupt by not charging his wealthy clients enough to compensate for the quality work he produced.

Visitors to the Hegeler Carus Mansion will recognize many similarities between that home and the Nickerson’s Marble Palace. The hand turned columns and cornices of the two homes are reminiscent of each other as are the ornate carvings that surround the fireplaces. Fiedler’s innovative use of turned wood spindles, decorative mantels and wainscoting are common to both interiors.

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Millwork detail, Hegeler Carus Mansion

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Fiedler carved sideboard, Hegeler Carus Mansion

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Parlor with parquet flooring and custom millwork, Hegeler Carus Mansion

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Germania Hall now the Germania Club at Clark and Germania Place.

But August Fiedler also began to design buildings here in Chicago and around the Midwest. He completed the Germania Hall in 1888 along with fellow architect John Addison and built private homes in Blue Island and Milwaukee.

 

Moorish_palace_labyrinth,_august_fiedler_archIn 1893 when the World’s Fair drew the curious multitudes to the White City, one of the standout buildings was Fiedler’s Moorish Palace, patterned after the Alhambra of Spain. It was one of three pavilions Fiedler designed for the Colombian Exhibition.

Long time Chicagoans will remember Henrici’s Restaurant on Randolph Street, another Fiedler project. On the city’s Gold Coast, 1547 North Dearborn Parkway is another of his sumptuously detailed interiors replete with lavish woodcarvings in an 18,000 square foot city estate.

In 1893, Fiedler was named the first Chief Architect for the Chicago Board of Education. He supervised the construction of fifty-eight schools and designed many including Burley, Goethe, Eugene Field and Pullman.

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Fiedler was elected a Fellow of the American Institute of Architects. He died in Chicago in 1903.

 

For information about our upcoming trip to the Hegeler Carus Mansion on Wednesday, June 4, please visit our website.

 

 

Sources:

A. Fiedler and L. W. Murray, Artistic Furnishing and House Decoration, (C. H. Blakely & Co., printers, 1877)

http://chicagohistoricschools.wordpress.com/2013/02/08/william-august-fiedler/

http://en.wikipedia.org/wiki/User:Burnhamandroot/Sandbox